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From Logo Cops to Creative Rockstars
What retail's in-house agency revolution can teach brand teams about building agency teams organized for growth
Pam Orlando Zanni, SVP, Strategic Account and Managed Solutions
Originally appeared on ANA.net
It perhaps started with an executive’s offhand question over coffee: "Hey, what if we just did all this stuff ourselves?" Now it’s a retail creative revolution.
While traditional agencies are clutching their Pantone books and stress-eating donuts, retail giants are building creative empires that would make Don Draper weep into his old fashioned: Target transformed from a modest design team to creative fortress, Walmart built a creative ecosystem with its own zip code, and Apple expanded its already-swanky creative capabilities to keep everything impossibly sleek and ahead of the curve.
Indeed, many of today's in-house creative spaces look more like tech startups moonlighting as art studios. Think meditation pods, recording studios, and enough plants to qualify as a botanical garden. Nike's team works in spaces so cool they make Silicon Valley jealous, complete with materials libraries and testing facilities where they can watch athletes in action. (Beats staring at stock photos all day!)
But building an effective agency powerhouse isn’t about beanbag chairs and baristas. Aesthetics and accoutrements are useful as far as they go, but it takes the right mix of talent, tools, and trust to turn brand ambition into breakthrough work. It is critical to understand what the team’s identity is, what their non-negotiable focus is on, and how the in-house agency team will deliver on all points strategically.
The Good, the Bad, and the Better of In-House Agencies
The perks of in-house agencies? Oh, they're juicy:

Speed without limits. When a designer sits three desks away, that urgent campaign doesn't need six layers of agency approval and three rounds of client calls.

Brand knowledge on steroids. These creatives don't just know the brand guidelines, they dream in company brand colors — and have the logo tattooed on their hearts.

Real ROI. The initial investment might cause some angst, but the long-term savings can have finance folks cartwheeling through hallways.
However, it’s not all rainbows and unicorns. In-house creative comes with challenges too:

The echo chamber trap. When teams swim in brand Kool-Aid 24/7, it can become impossible to distinguish brilliant from bonkers. Smart companies keep freelancers of various expertise on speed dial for fresh perspectives.

Talent tug-of-war. Getting creative superstars to trade agency glamor for corporate stability takes more than free snacks (though that helps), and a stimulating work environment. It requires a culture where creativity thrives — and benefit packages still matter.
The smartest and most successful retailers aren't choosing between in-house or agency — they're building internal teams for strategic and conceptual work and outsourcing production to specialists who can execute efficiently and without draining internal resources.
For example, Target keeps its creative A-team in-house while still playing nice with external agencies for fresh perspectives. For marketing leaders building modern creative operations, success starts not with structure but with a few foundational choices.
Precision and a well-thought-out strategy can position in-house teams to capitalize on their strengths, augment areas that require reinforcement, and deliver a fully formed a product, campaign, or message. It all starts with strategic intention.
Building an In-House Dream Team
The most effective in-house agencies are built on more than ambition. They start with a thorough evaluation of existing resources, team structure, and strategic goals. Here are several key steps and decision-points that marketing leaders need to take when building an in-house team of their own:
Take stock.
- Assess current capabilities, work types, resources, and performance metrics
- Review team skills, technology stack, workflows, and project outcomes
- Identify strengths and weaknesses through stakeholder feedback
- Determine a strategic approach (e.g., full-service team versus concept-only with outsourced production)
- Analyze budget allocation (e.g., staff, external providers, software, equipment)
- Decide on an operating model (e.g., cost center versus charge-back organization)
Get resourceful.
- Establish a team structure with key roles (e.g., account managers, project managers, creative directors), leveraging and combining existing roles where possible
- Ensure an appropriate technology infrastructure (e.g., project management, asset management, creative tools)
- Develop streamlined processes for project intake, workflow, approvals, and financial management
- Find reliable external partners if outsourcing production
- Establish clear handoff points for outsourced work
Make the leap.
- Articulate the agency vision and mission
- Create a phased implementation plan, starting with pilot projects
- Document standard operating procedures
- Invest in team development (i.e., training or strategic hiring)
- Set up a governance structure for decision-making
- Launch an internal marketing campaign to introduce agency services
- Establish service level agreements for successful collaboration and communicate clearly with all stakeholders
- Define a metrics strategy for data-driven decision-making
Once these steps are in place, it’s important for leaders of the marketing organization to create regularly assess progress through feedback from clients, partners, and sponsors — and continue that practice for the life of the agency.
The Bottom Line
The in-house creative revolution isn't just about saving money — it's about understanding the brand and the business at a DNA level, then developing strategic creative that delivers results for the organization.
The future belongs to the companies that balance the internal creative muscle with clear strategic external partnerships.

Pam Orlando Zanni is the Senior Vice President of Strategic Accounts & Managed Solutions at Cella by Randstad Digital, a partner in the ANA Thought Leadership Program.
